We're in Los Angeles shooting 3D for those good folks...
Camera Rigs. Stereoscopic rigs to suit the most popular cameras on the market today - electronic or film - giving you full control over the stereoscopic parameters of your photography in a simple, reliable rig designed by industry professionals for industry use. We can produce custom bracket sets for almost any camera & lens combination - let us know what you need!
A calculator for 3D photography. The stereographers best friend!
It calculates the inter-ocular distance needed for each camera setup based on measurements from the actual set.Provides handy sliders and nudge buttons to set the distances to the nearest and farthest objects in the scene, as well as the desired convergence point - whether or not you converge in camera or post.
The sliders are logarithmic so you get finer control at the short end - nice!
- Calculates the foreground and background divergences as percentages and actual distances for your chosen screen size and limits the background divergence to infinity.
- Also computes roundness factor so you can match the apparent depth from shot to shot even when changing lenses and setup.
- Operates in metric and imperial.
- Suitable for Motion Picture and Stills work, Film or Electronic cameras.
-Best of all it's fast and intuitive.Settings for:
- Camera sensor size, with a whole bunch of presets for both film & electronic cameras.
- Lens kits - enter the focal lengths in your kit for fast selection.
- Screen Size - with handy presets for TV, cinema etc.
- Maximum permitted overall divergence - typical is 3%.
- Maximum background divergence in actual mm on your chosen screen size - typically 65mm.Buy it now on the iPhone app store:
http://itunes.apple.com/au/app/iod-calc/id359080381?mt=8
Welcome.
Stereo is the name of the game. Below you'll find some articles discussing terminology, techniques, workflows and mathematics - anything we can think of on Stereo vision! Articles get added whenever we get to a new topic.Cheers,
Leonard.
1. Introduction. Terminology. Calculating IOD's.
2. The Stereo Stage Volume
COMING SOON
Workflows. Planning of workflows suitable to the type and environment of your production. Starting with Stereo concept design through on-set handling, rushes and editorial to successful delivery of your title to screen.
Acquisition Techniques. Training and Demonstration workshops providing hands-on knowledge of the effects and uses of these new parameters to production.
Scanning. 16 & 35mm original negative or reversal film. Standard/Super formats are supported as 2. 3 & 4 perf pulldown. The scams are all pin registered for ultimate effects precision and offer dry and wet gate options for additional dirt and base scratch removal. Resolutions up to 4k and optional delivery to anamorphic from spherical originals provide for very high quality data.
Conforming. The scanner will conform from lab rolls according to a supplied EDL directly into folders ready for effects or color correction.
Film recording. Film recordings are all made to the highest quality film stock available (laboratory intermediate) on acetate or polyester base for immediate release printing. Digital Intermediate film projects accurately match your design and expectations for tonality and clarity. Excellent results for HD acquired or HD finished material transferred to film are achieved by careful conversion of HD source material into the film color space where full use is made of the emulsions ability to resolve detail from deep into shadows through to sparkling specular highlights.
Leonard Coster
Email: lc@speedwedge.com
Los Angeles: +1 818 287 6474
Sydney: +61 414 999 789
